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Review
“How to describe Marlon James’s monumental new novel A Brief History of Seven Killings? It’s like a Tarantino remake of The Harder They Come but with a soundtrack by Bob Marley and a script by Oliver Stone and William Faulkner, with maybe a little creative boost from some primo ganja. It’s epic in every sense of that word: sweeping, mythic, over-the-top, colossal and dizzyingly complex. It’s also raw, dense, violent, scalding, darkly comic, exhilarating and exhausting—a testament to Mr. James’s vaulting ambition and prodigious talent.”—Michiko Kakutani, The New York Times“[Marlon James] is a virtuoso …[the novel is] an epic of postcolonial fallout, in Jamaica and elsewhere, and America’s participation in that history. …the book is not only persuasive but tragic, though in its polyphony and scope it’s more than that….It makes its own kind of music, not like Marley’s, but like the tumult he couldn’t stop.” —New York Times Book Review “Nothing short of awe-inspiring.” —Entertainment Weekly “[A] tour de force… [an] audacious, demanding, inventive literary work.” —Wall Street Journal “Rendered with virtuosic precision and deep empathy.” –Time “Exploding with violence and seething with arousal, the third novel by Marlon James cuts a swath across recent Jamaican history…This compelling, not-so-brief history brings off a social portrait worthy of Diego Rivera, antic and engagé, a fascinating tangle of the naked and the dead.” —The Washington Post “A strange and wonderful novel…Mr. James’s chronicle of late 20th-century Jamaican politics and gang wars manages consistently to shock and mesmerise at the same time.” —The Economist “James has written a dangerous book, one full of lore and whispers and history… [a] great book... James nibbles at theories of who did what and why, and scripts Marley’s quest for revenge with the pace of a thriller. His achievement, however, goes far beyond opening up this terrible moment in the life of a great musician. He gives us the streets, the people, especially the desperate, the Jamaicans whom Marley exhorted to: ‘Open your eyes and look within:/ Are you satisfied with the life your living?’” —The Boston Globe “Thrilling, ambitious…Both intense and epic.” —Los Angeles Times “A prismatic story of gang violence and Cold War politics in a turbulent post-independence Jamaica.” —The New Yorker “I highly recommend you pick [A Brief History of Seven Killings] up. As a book of many narrators, this novel reminds me of Roberto Bolano's The Savage Detectives.” —NPR, All Things Considered “An impressive feat of storytelling: raw, uncompromising, panoramic yet meticulously detailed. The Jamaica portrayed here is one many people have heard songs about but have never seen rendered in such arresting specificity—and if they have, only briefly.” —Chicago Tribune “A sweeping novel that touches on family, friendship, celebrity, art, sexuality, ghetto politics, geopolitics, drug trade, gender, race and more, sending the reader from Jamaica to New York via Miami and Cuba and back.” —Newsweek “Like a capacious 19th-century novel crossed with a paranoid Don DeLillo conspiracy-theory thriller…the book rewards time spent, bringing a complex perspective on violence, corruption, and the untidiness of humanity to vivid life and astonishing detail. It makes you want to rush out and read everything else James has written.” —The Philadelphia Inquirer “The way James uses language is amazing….Vigorous, intricate and captivating, A Brief History of Seven Killings is hard to put down.” —Ebony “A gripping tale in which music, drugs, sex, and violence collide with explosive results.” —Bustle “James’s masterful novel radiates; [it’s] a character-driven tale that takes place in a maelstrom of guns, drugs and politics.” —Playboy “Brilliantly executed… The novel makes no compromises, but is cruelly and consummately a work of art.” —The Minneapolis Star Tribune
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About the Author
Marlon James was born in Jamaica in 1970. His most recent novel, A Brief History of Seven Killings, won the 2015 Man Booker Prize. It was also a finalist for the National Book Critics Circle Award and won the OCM Bocas Prize for Caribbean Literature for fiction, the Anisfield-Wolf Book Award for fiction, and the Minnesota Book Award. It was also a New York Times Notable Book. James is also the author of The Book of Night Women, which won the 2010 Dayton Literary Peace Prize and the Minnesota Book Award, and was a finalist for the 2010 National Book Critics Circle Award in fiction and an NAACP Image Award. His first novel, John Crow’s Devil, was a finalist for the Los Angeles Times Book Prize for first fiction and the Commonwealth Writers’ Prize and was a New York Times Editors’ Choice. James lives in Minneapolis.
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Product details
Paperback: 704 pages
Publisher: Riverhead Books; Reprint edition (September 8, 2015)
Language: English
ISBN-10: 1594633940
ISBN-13: 978-1594633942
Product Dimensions:
5.4 x 1.4 x 8.2 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
3.7 out of 5 stars
572 customer reviews
Amazon Best Sellers Rank:
#5,552 in Books (See Top 100 in Books)
A truly awesome novel, notable by just how bizarre and hard to qualify it is. Had it not been for the hype I don't think I would have been interested in a War and Peace-length crime/espionage/social history/music doc/reggae-inspired novel told entirely in the first person from characters speaking and thinking in Jamaican slang. Turns out, it was exactly that kind of challenging exterior that got me hooked after the first few chapters. The Jamaican slang is nothing if not entertaining to read, but chapters spoken in heavy dialect are usually followed up by chapters from the perspective of a character that speaks much tamer English - usually American or high-class Jamaican characters.I don't think it's a spoiler to mention in the review that the novel revolves around the attempted assassination of Bob Marley in the 70s (referred to in the book as "the Singer" but you know who they mean. Only on one occasion does someone call him Bob). This is a really cool premise because it gives us insight into the almost god-like status that Marley had in Jamaica at the time, but also into the criminal and political implications of that kind of power (local parties tried to curry favor with the Singer), and it all serves as a natural set-up for deliciously pulpy action and violence. A major achievement of this book is how it manages to balance fun of high pulp with the sobering reality of the horrific violence that pulp entails. It never feels cheap or exploitative, and I think that it all hinges on how well each character's inner life is drawn out. We see everything that happens from someone's first person perspective, so their reaction to the goings-on (and any moral judgements, personal reckonings, etc) are entirely informed by what they bring to the table. Really well done!If I have one criticism, it's that it really feels like two books. The first half - everything leading up to the attempted murder of Bob Marley and the immediate aftermath - takes place over just a few days and moves like a hallucination through the slums of Kingston, twisting into the upper echelons of power, into the hands of shady CIA wheelers and dealers and back down again. The second half - spanning about 20 years after the fact - moves at a very different pace, incorporates a host of new characters and settings (the story expands to elsewhere in Jamaica, plus Miami and New York, with hints of Medellin) and is overall less focused than the first. It's still really interesting, but the difference is jarring. Chapters in the first half move at a lightning pace; in the second half, they could span 100 pages each (this is a very long book!).I'd say this is a must-read, though I fully acknowledge that it will be hard for a lot of people to get into it based on the huge pagecount and Jamaican prose.
This was probably the most challenging novel I've read in several years. Who am I kidding? There's no probably about it. Marlon James has constructed an incredibly complex story, and it took every bit of memory available to me to keep up. He was kind enough to include a cast of characters, but I made it a point to refer to it as little as possible, opting instead to try and follow the story under my own power.Add to the story's complexity the fact that most of the characters are from the ghettos of Kingston, and speak in a patois that takes some serious acclimation initially, and will slow your reading speed to a crawl at times. Amazingly though, after spending nearly a week with these characters, I felt like I had picked up the meanings quite well and could read those sections much quicker. Strangely, for me, this adaptation was the most rewarding aspect of this particular reading experience. In fact, as much respect as I now have for Marlon James' talent, I have to admit that I did not actually enjoy this novel, and found it made for an almost constantly uncomfortable reading experience.The last time I felt the inability to enjoy such a well written book, I was reading In Other Rooms, Other Wonders, a Pulitzer finalist. Both books require the reader to spend most of their time in very difficult places. By difficult I mean places where innocents suffer a great deal of agony and injustice, and both books left me feeling a certain hopelessness from which I felt the reader was never released. That may well be James' intention, and the fact that he could take me to such places and make them feel so real as to make me uncomfortable is a testament to his talents.This novel contains a great deal of incredibly graphic violence (including rape), and in fact I cannot name a more graphically violent novel that I've read in the past few years. Perhaps Philip Meyers' "The Son" comes close? There is also a lot of quite graphic sex, and since the majority of the novel's many characters are hardcore criminals, the language is very often coarse throughout the story. The number of such moments are what makes it difficult for me to recommend the book to anyone whose taste and tolerance for such things I do not know well. But the novel seems to me to have been an honest one, and as you wallow in the depths and the dregs with these gangsters, you sense the suffering from which they were born, and and begin to understand their Machiavellian existence. Again, James was able to take me to some places I've certainly never been, but I can't necessarily say I'm glad I went there.Overall, this is a brilliantly executed novel by a man who possesses a great deal of talent, and yet it is a book that is likely to prove a challenging read to most, for the reasons I've listed and more. I can't say that I'm happy to have read it, but I can certainly appreciate the art that James has created, and I do take some personal satisfaction in having followed such an intricate story to its end. Reading difficult fiction isn't always enjoyable, but it is usually beneficial, and for that I can say I'm grateful to have read A Brief History of Seven Killings.
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